We could see why Mulberry chose to pull it’s inspiration for it’s new collection from English gardens. The patterns, textures, and colors brought springtime to even the heavier jackets and tailored dresses. The highlights included pieces made of cornflower blue towel jacquard like the jacket on the opening outfit. Yet, the collection has been expected to be priced rather high, so we will see what consumers think about spring/summer 2015 Mulberry.
Temperley London shifted away from evening gowns and into a relaxed look — full of jackets, blazers, scarves, and flowing skirts. Some inspiration was pulled from Japanese “shunga” paintings, which is where the wispy open jacket look came from, keeping it airy and artsy. The collection included everything in gray plaids and pastel stripes, to bold patterns and baby pinks. And each outfit was paired with a cute pair of white converse-style tennie that only enhanced the laid-back look they aimed for this season.
Paul Smith kept it simple and chic. The collection kept to rather loose, sheer, and oversized looks. However, this season, Smith used fringe, floral, and stripes to spice it up. Models also carried large totes or wore sunglasses and watches for unique touches.
Topshop is expanding all over the U.K. and the United States. So, what better way to open the show than with another expanding name in both the U.K. and the States fashion industry: Cara Delevingne. Cara also had a quick-change and closed the Topshop show, as well. It really was a fun show — all the way down to the music, which consisted of the classic: “Our Lips Are Sealed”. In addition to fun, the collection was deemed as fearless — girly with a little bit of flair.
Mary Katrantzou used the movement of dance to inspire her spring/summer 2015 collection. However, it didn’t just end there. That lead to Pangaea, and the tectonic plates that supposedly could have formed the land on earth. This is where the earthy patterns and shapes came from, whether on dresses, pantsuits, or gowns. The collection’s beauty came very naturally, from an almost earthy vibe, yet the sheer and shimmer kept it feminine and definitely sexy.
VIvienne Westwood’s Red Label show was a statement of rebellion. Scotland is in the midst of voting for it’s independence from the U.K. and Westwood’s vote would clearly be a hell yes! The looks pulled hugely on 18th-century piracy. This included striped skirts, corset tops, and actual pirate hats. Another shocker of this show was the obscure make up on all of the models that hit the runway.
Matthew Williamson made his collection amazing through his usual use of tapestry, embroidery, and embellishment. One of the highlights was the opening piece: a burgundy floral embroidered outfit. By the end of the show the collection had transitioned into gorgeous evening gowns. The show ended with a flowing sky blue gown and a black and patterned more glamorous piece. Williamson’s goal was simply not to let this line become boring. He succeeded in infusing “freshness” into it, that came “straight from the heart”.
